Stephen D. Winick

It's true, I now blog about Music and Culture at the Huffington Post.  I may decide to mirror my HuffPo writings here at stevewinick.com, but until then, please follow me on HuffPo!

 

For those following posts about my various performances, how about me playing Bigfoot...in a Mummers Play...with a Squid...at the Library of Congress?  If you find this intriguing, please join the fun at this page!

Hello, gentle readers!

One month ago, your humble scribe Wynken De Worde had the honor of conducting an on-stage interview with the Grammy-winning folk band The Carolina Chocolate Drops!  Rather than write an extensive blog post on the experience, I've folded it into an article about this remarkable band and their unique brand of old-time folk, based on little-known African-American string band music.  Read the article here!

Years from now, my niece and nephew and once-removed cousins are apt to ask me: “Weird Uncle Steve, what’s it like to sing in a Great Big Rock Concert?”

Luckily, I will now be able to tell them, in my usual articulate manner: “It's, uh, pretty awesome.”

But I get ahead of myself. First of all, where do I get off calling the show on December 27, 2011 at the Birchmere in Alexandria, Virginia, a "Great Big Rock Concert?" It was certainly a triumph of electric folk and a watershed moment in Celtic-Andalusian…

This year I once again adapted, directed, and performed in my office's Christmas Mummers play.  Mumming, or disguising oneself, going door to door, and performing in neighbors' homes and in public places, is a very old and widespread custom in Europe, going back at least to the middle ages.  However, the type of play we call a Mummers Play today may not go back any further than the eighteenth century, since earlier references to "mumming" either are vague about the exact type of performance, or are…

The Green Man and Calendar Customs

This is the first of several blog posts about the Green Man.
[Find the first here] [Find the second here] [Find the third here] [Find the fourth here]

From his earliest appearances among the characters of pageants, shows, and St. George’s Day observances, the Green Man has been associated with calendar customs, especially those of springtime. Yet, one of Richard Hayman’s specific claims in "The Ballad of the Green Man" is that the Green Man is “the latest accretion to the…

The Green Man and the Foliate Head

This is the third of several blog posts about the Green Man.
[Find the first here] [Find the second here] [Find the third here] [Find the fourth here]

In Part 2, I showed that the idea of a man covered with leaves, as well as the name for that man, “Green Man,” existed for a long time, in the same cultural milieux as the carved foliate faces on churches. However, it is not clear that these two artistic traditions were related. Although scholars like Lady Raglan in the…

Part 2: What Was the Green Man?

This is the second of several blog posts about the Green Man.
[Find the first here] [Find the second here] [Find the third here] [Find the fourth here]

So what DID the term “Green Man” refer to before 1930, and how did the term come down to modern times, to Lady Raglan’s day and beyond? To answer this, we can rely partly on Brandon Centerwall’s “The Name of the Green Man,” a crucial article that is almost never cited by writers such as Hayman, who wish to downplay the deep…

Introduction:

This is the first of several blog posts about the Green Man.
[Find the first here] [Find the second here] [Find the third here] [Find the fourth here]

Both before and after Lady Raglan’s landmark 1939 essay "The Green Man in Church Architecture," in which she applied the term “Green Man” to a carving of a foliate head in her local church, much has been written about the strange creatures known as “Green Men.” References to them in English go back to the sixteenth century. In the twentieth…